M.A.H.A.S
This year again, STUDIO RÖ is presenting a unique annual exhibition M.A.H.A.S exploring the place of religion and spirituality in humanity and its impact on our planet.
The exhibition will take place from April 17th to December 15th 2023 by appointment only.
STUDIO RÖ is an experimental gallery situated in the heart of Milan at Piazza Castello, offering a unique immersive experience into a serene slow living sanctuary. A place where one can disconnect from the outside world and reconnect with their inner self.
During the 2023 Milano Design Week, STUDIO RÖ is taking a stance against frenzied consumption and proposes a more sustainable approach to the exhibition and enjoyment of exclusive and limited edition art pieces. Their latest exhibition, M.A.H.A.S, explores the themes of humanity and spirituality where artists and designers are invited to express themselves in a holistic scenography that evokes the senses.
Scarlett Rouge will present an unprecedented large painting, "The Last Supper," challenging modern perceptions of religious icons by portraying the control we constantly seek over the planet and our destiny. To inaugurate the new exhibition, Scarlett Rouge will deliver a profound human, artistic, and auditory experience on April 15th (By invitation only).
The upcoming exhibition showcases art pieces featuring talented artists sharing the same convictions. Our guest artist of this year Scarlett Rouge, Alexander Carey-Morgan, Tania Welz, William Guillon, Elisabetta Caizzimarini, Melanie Ashton, Andrea Copp, Elohim and more… And as every year Studio Rö will reveal its own and unique special piece specially edited for the exhibition.
“Chaosmos” by Tania Weltz
For the 2023 exhibition M.A.H.A.S, STUDIO RÖ has transformed its gallery space into a temple that was discovered by a distant civilisation. This temple is not affiliated with any specific religion, but rather it opens up a discussion about the place of religion and spirituality in humanity. The exhibition explores the roots and rituals of spirituality and questions its impact on our planet.
The term M.A.H.A.S means "Universe" in a language so ancient that it cannot be found in any manuscripts. Even within this ancient civilisation, the notion of spirituality was present, raising questions about the origin of religions and the need for humanity to find purpose.
"By bringing together diverse artefacts and artworks, we hope to inspire visitors to reflect on the ways in which human culture has been shaped by our understanding of the cosmos. The exhibition highlights the historic and ongoing relationship between religion, spirituality, and astronomy, showing how different cultures and belief systems have used the stars and other celestial objects to explain and understand the world." - Christelle.
“The last supper” by Scarlett Rouge
M.A.H.A.S ARTISTS
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Scarlett Rouge’s artworks offer a captivating exploration of the profound mysteries of existence, inviting us to contemplate the infinite depths of the cosmos and the universe’s capacity for self-reflection. Her artwork also exposes the damaging impact of human activities on our planet, particularly the looming threat of global warming.
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Through his art, Alexander Carey Morgan prompts us to reflect on our place in the grand scheme of things, contemplate the enduring legacy of our ancestors, and explore the mysteries hidden in the depths of human history. His work serves as a bridge that connects us to the past and prompts us to journey across the threshold of time.
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William Guillon is displaying unique handsculpted white casted bronze pieces from his OMNIA VANITAS series. This series explores themes of the impermanence of all things and the emptiness of existence. Guillon’s collection of accessories, called Vanities, prompts us to reflect on our relationship with material possessions and the impact we have on the environment. Through his art, Guillon encourages us to contemplate our place in the world and the legacy we leave behind
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Muriel Nisse’s exhibit showcases a diverse collection of handmade, modern masks. The masks draw upon various ethnic influences and ritualistic traditions, resulting in a unique biomorphic style. The incorporation of natural elements such as hair and textiles further enhances the masks’ distinctiveness and adds an organic feel to the pieces.
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Tania Wells’ exhibitis an artwork from her ‘Chaosmos’ series, which delves into the correlation between the micro and macrocosm and their interconnectedness, transcending the boundaries of life and death. The series challenges the limitations of our imagination, which are often confined by our perception of space and time.
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La Fabrique Noire’s artworkS speaks to the profound philosophical question of how the earth endures the tumultuous impacts inflicted by humanity. With a delicate balance, the artwork features a marble bowl on top of the object, symbolizing the earth’s capacity to contain and bear the brunt of human actions. However, the presence of fissures on the surface of the bowl reminds us that this balance is fragile, and the earth’s resilience cannot be taken for granted. The artwork invites us to reflect on our responsibility as stewards of this delicate balance.
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Melanie Ashton’s artistic creations draw inspiration from the worlds that are often glimpsed but seldom “seen,” such as death and transformation, the untamed forests and solitary moors, sorcery, and mythology. Her work laments the gradual loss of our wild essence within and the dwindling natural wilderness around us. However, even amidst the delicately feral qualities of her work, there is a glimmer of hope for the wild’s eventual return, cautiously optimistic in its expression.
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Elisabetta Caizzi Marini is working on the concept of presenting a choice to the viewer. By revealing aspects of nature, the observer is challenged to make a decision - to either embrace the contemporary state of war and pain, which stems from the most primitive origins and follows the Hegelian view of history, or to transcend this condition.
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Niclas Wolf series Geoprimitiv draws comparisons between the Precambrian era and the Anthropocene era. This series showcases distinctive tectonic sculptures made of a newly-developed, specialised clay. With unique thermic properties, even in extreme atmospheric conditions, each sculpture reflects the inherent structure of the artwork and conforms to the laws of statics and self-assembly. Every object is entirely unique.
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Ava Copp initially works in multimedia art, where connections between creators flow like the mycorrhizal network found in the forests of Lions Bay. The artist showcases a chandelier, a distinctive piece from her collection, crafted from bras, burned wood, and porcelain, creating novel art from materials that draw their elegance from their humble origins.
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BAV TAiLOR’s innate sensibility towards research in experimental textures and filaments has evolved her holistic luxury metasphere into the realms of conscious materials development for soft furnishings and bespoke wardrobe envisioned for meditative sanctuary spaces. The Shakti Kaftan and Shanti cushions have been crafted in sublime TENCEL™ threads of wood filaments.
BAV TAiLOR is a hymn to the beauty of our world. Through the mantra 'respect your body+ your sphere', the brand encourages holistic living and love of our mind, body, and atman - the soul.
FULL INTERVIEW FOR PLANTED JOURNAL
M.A.H.A.S seen by Rick Owens