Décommodage: The Art of Deconstruction and Reconstruction
Concept:
"Décommodage" delves into the philosophy of Jacques Derrida, exploring the process of deconstruction in the world of ceramics. The pieces embody the concept of dismantling, breaking down traditional forms and reassembling them in a way that challenges the conventional understanding of beauty, functionality, and materiality. This process creates a dialogue between the fragility of ceramics and the strength of unconventional materials.
Materials and Process:
The sculptures are crafted using wild clay, sourced from the natural environment, which gives each piece a unique texture and character. The clay is fired in a traditional Anagama kiln for two weeks, a process that enhances the natural beauty of the clay, creating earthy tones and unexpected textures. The extended firing time in the Anagama kiln results in deep, varied hues that reflect the unpredictable nature of both nature and the creative process.
Once the ceramics have cooled, the deconstruction truly begins. The pieces are mended and reconstructed using arc welding—a technique typically used for metals—along with recovered steels, woods, and rocks. This unconventional combination of materials transforms the work into something entirely new: a fusion of organic and industrial, broken and whole, delicate and strong.
The result is a striking blend of the old and new, the fragile and durable, where the raw energy of the creation process is embodied in every crack, weld, and repair. These one-of-a-kind pieces invite reflection on imperfection, transformation, and the beauty found in decay.
SIMON MANOHA
UNIQUE PIECE
100 × 7cm
Décommodage: The Art of Deconstruction and Reconstruction
Concept:
"Décommodage" delves into the philosophy of Jacques Derrida, exploring the process of deconstruction in the world of ceramics. The pieces embody the concept of dismantling, breaking down traditional forms and reassembling them in a way that challenges the conventional understanding of beauty, functionality, and materiality. This process creates a dialogue between the fragility of ceramics and the strength of unconventional materials.
Materials and Process:
The sculptures are crafted using wild clay, sourced from the natural environment, which gives each piece a unique texture and character. The clay is fired in a traditional Anagama kiln for two weeks, a process that enhances the natural beauty of the clay, creating earthy tones and unexpected textures. The extended firing time in the Anagama kiln results in deep, varied hues that reflect the unpredictable nature of both nature and the creative process.
Once the ceramics have cooled, the deconstruction truly begins. The pieces are mended and reconstructed using arc welding—a technique typically used for metals—along with recovered steels, woods, and rocks. This unconventional combination of materials transforms the work into something entirely new: a fusion of organic and industrial, broken and whole, delicate and strong.
The result is a striking blend of the old and new, the fragile and durable, where the raw energy of the creation process is embodied in every crack, weld, and repair. These one-of-a-kind pieces invite reflection on imperfection, transformation, and the beauty found in decay.
SIMON MANOHA
UNIQUE PIECE
100 × 7cm
